Exhibitions - Page 8

Kemar Keanu Wynter's exhibition Heralds at Klaus von Nichtssagend Gallery explores abstract art through the lens of Jamaican heritage. The show runs through June 17 in New York.

Deborah Jack's video installation at the Museum of Contemporary Art Denver critiques ecological and colonial issues through the lens of water's duality. Her work provokes thought on climate and cultural impacts.

Jeremy Sapienza examines Marina Abramović's history to appreciate her recent performance, revealing freedom as a pivotal theme in her work. He discusses her influences from Yugoslav nationalism and Tito's regime, highlighting an interview with MoMA about the emotional impact of her art.

New York critic Ben Davis explores the complexities of street art in a Slate essay, questioning its current status within contemporary art. Despite evolving into another facet of contemporary practice, street art remains distinct in its relationship with commercial culture.

James Wagner criticizes the New Museum for showcasing a wealthy trustee's collection, curated by Jeff Koons. With exhibitions like "Younger Than Jesus," the museum's focus seems to shift towards serving collector interests, sparking debate about its direction.

Ekow Eshun has been chosen as the curator for the 13th SITE Santa Fe International Biennial, set for 2027-28. This appointment is expected to bring fresh insights and vibrant artistic expressions to the event.

This February, Upstate New York offers a vibrant array of art exhibitions. Discover ethereal paintings, politically charged textiles, and evocative photographs. Highlights include Kim Tateo at Context Collective, Barbara Todd at Opalka Gallery, and Michael Salomon at Delaware Valley Arts Alliance.

This spring, the Metropolitan Museum of Art introduces Raphael: Sublime Poetry, the first U.S. exhibition dedicated to the Italian artist. Test your Renaissance knowledge with a themed crossword, including Raphael trivia and art techniques.

Richard Wright's literary influence profoundly impacted John Wilson's protest art, as seen in the exhibition Witnessing Humanity at the Met. This retrospective highlights the thematic parallels between the two artists, emphasizing the struggle for dignity amidst racial oppression.

Theo Belci examines the pioneering work of Mimosa Echard, whose art merges manmade and organic elements. Her installations engage viewers in exploring the relationship between nature and artificiality.