Exhibitions - Page 9

Michael Cowan examines avant-garde filmmakers venturing into advertising, featured at Anthology Film Archives. The program highlights directors like David Lynch and Jean-Luc Godard, exploring their creative influence on commercials.

Rachel Wetzler examines Banks Violette's work, linking his nihilistic style to both the Bush era and modern political climates. His art reflects societal disillusionment and ongoing cultural anxieties.

Paul McCarthy opens the doors to his Los Angeles studio, offering insight into his creative process. The space reflects the artist's unique approach and dedication to his craft.

Fatima Hellberg, General Director of Vienna's MUMOK, shares her curatorial strategies with Artforum, highlighting her commitment to dynamic and engaging exhibitions.

Pablo Larios examines how the Gulf's investments in cultural infrastructure are reshaping the arts landscape, aiming to establish the region as a global cultural hub.

The International Center of Photography's exhibition on Eugène Atget revisits his legacy, focusing on the role Berenice Abbott played in preserving his work. While the show promised new insights, it largely reiterates familiar narratives, yet still captivates with Atget's detailed depictions of

Michelle Segre's exhibition Nebula at Derek Eller Gallery showcases her innovative use of ephemeral materials, challenging traditional art boundaries. The singular piece invites viewers to explore its dynamic interplay of sculpture and painting.

The Morgan Library & Museum explores Caravaggio's early work 'The Boy with a Basket of Fruit,' offering a glimpse into the artist's formative years. Curator John Marciari discusses the painter's early ambitions and the vibrant art scene of late 16th-century Rome.

Onassis AiR invites applications for its 2026–27 residency program in Athens, offering 30 spots across multiple art disciplines. The deadline is March 3, 2026.

The Rodder gallery on the Upper East Side hosts an exhibition of James Castle's unique artworks. Born deaf and isolated from the art world, Castle independently embraced radical mid-century abstraction, creating with scrap paper and soot. The exhibition is open until February