News - Page 26

If one looks at recent developments in European culture, it becomes increasingly clear that Eastern Europe is emerging as a space of experimentation, both in artistic practices and in the ways art is presented to the public. Unlike Western Europe, where cultural

Hyperallergic introduces a new section, Hyperallergic Weekend, led by a team of esteemed editors and contributors. This initiative aims to deepen cultural conversations and will include weekly guest contributions.

The DOJ redacted the face of a 'Mona Lisa' reproduction in Epstein's email trove, prompting questions amid privacy concerns. The document release also uncovers Epstein's art world connections.

The Flemish government has reversed its decision to close the Museum of Contemporary Art Antwerp (M HKA) after strong objections from the art community. The move underscores the museum's significance in Belgium's cultural landscape.

The Philadelphia Museum of Art returns to its original name after public and community backlash against a recent rebranding effort. The move emphasizes the importance of tradition and heritage.

Luc Besson reinvents the classic Dracula story, presenting the Count as a gothic lover. This new adaptation highlights the emotional depth and romantic elements of the iconic character.

This week's In Memoriam honors the impactful contributions of Richard Gorman, Seyni Awa Camara, Björn Roth, and others who've recently passed, leaving a lasting legacy in the art world.

Artists and art workers have urged MoMA to distance itself from Leon Black due to his ties with Jeffrey Epstein, leading to his resignation as chairman. Despite new abuse allegations, Black remains on the board. Meanwhile, artists in Minneapolis are creatively resisting

Leon Black is facing serious allegations of sexual abuse as detailed in newly released Epstein files. The documents include a diary and emails aligning with a 2023 lawsuit. Black's attorney denies all accusations, while MoMA has yet to comment.

The anthology Plastics, edited by Anne Gunnison and David Joselit, probes the multifaceted role of plastic in art. Through academic case studies, it highlights humanity's complex connection with this ubiquitous material and its philosophical and environmental implications.