New Epstein files reveal Jeff Koons attended a 2013 dinner at Epstein's home. The files highlight connections between the art world and Epstein, underscoring the need for scrutiny.
A federal judge has temporarily halted the construction of a grand ballroom at Trump's Mar-a-Lago estate, citing legal challenges over zoning and historical preservation. Trump's legal team plans to appeal the decision.
Patricia Marroquin Norby, the first curator of Native American art at the Met, has left her role. Her tenure was celebrated for advancing the representation of Native American works.
The Louvre maintained its status as the most visited museum globally in 2025, welcoming over 9 million visitors. Despite newer museums attracting large crowds, the Louvre's appeal remains unparalleled.
In a unique ceremony, Vice President JD Vance unveiled a statue honoring incels at the White House, blending classical and modern male imagery. Influential figures attended the event, which also announced funding shifts for young men's workshops.
As the Louvre embarks on its Nouvelle Renaissance, a survey reveals 51% of men think the Mona Lisa should smile more. The feedback highlights ongoing visitor dissatisfaction and calls for changes to the iconic painting's display.
The Kennedy Center has leased space to Spirit Halloween to fund its renovation project. This decision follows the redirection of federal funds intended for the Center. The lease includes controversial product requirements, with Spirit Halloween beginning occupancy in September.
Michael Fried commemorates Philip Leider, Artforum's founding editor known for publishing Fried's dissertation on Manet in March 1969. Leider's editorial choices significantly shaped art criticism.
British filmmaker Steve McQueen has been awarded the 2026 Erasmus Prize, recognized as the Dutch Nobel equivalent. He will receive $172,000 for his significant contributions to the art of filmmaking.
Tina Rivers Ryan wraps up her tenure as editor in chief with Artforum's April 2026 issue. Her leadership has been marked by a dedication to fostering diverse dialogues in the art community.
Jacob Lawrence's art acts as a bridge between past and present, addressing themes like migration and racial inequities through compelling visual stories. Michael Lobel delves into how Lawrence's work speaks to both historical and contemporary audiences.