News - Page 9

A restored fresco in a Roman chapel has caused a stir due to claims it resembles PM Giorgia Meloni. Restorer Bruno Valentinetti denies this, prompting an investigation by the Italian Ministry of Culture. The debate has drawn strong reactions across the political

Rodrigo Moura is leaving his role as artistic director at Malba in February. The museum is shifting focus to appoint a CEO, reflecting new strategic priorities.

Esther Bell has been named the director of the Clark Art Institute, becoming the first woman to lead the museum since its founding in 1955. Her appointment marks a new chapter for the institution.

Lisa Funderburke has been named the new director and CEO of the Newark Museum of Art, beginning her role on February 2. Her leadership is expected to guide the museum through future endeavors.

Robert Wiesenberger will take on the role of Senior Curator of Contemporary Art at the Brooklyn Museum starting March 1. He succeeds Eugenie Tsai and aims to bring dynamic exhibitions to the institution.

Nicolas Gourault's 'Their Eyes' uncovers the hidden labor force training AI systems, questioning the ethics of the gig economy and self-driving technology. This work highlights digital exploitation and the human cost behind AI advancements.

Artist Shannon Taggart explores the archives of SORRAT, a paranormal research group, in her project “Suburban Sublime.” Her work sheds light on the group's investigations into telekinesis and offers fresh perspectives on the nature of belief.

Catherine Taft investigates the Institute for Postnatural Studies, highlighting its role in examining modern human-nature interactions. Based in Madrid, it promotes a nuanced understanding of our changing environment.

With a renewed focus on Molière, New York theater celebrates the timeless nature of his comedies and their relevance to modern themes of hypocrisy and deceit. Innovative performances bridge centuries, engaging today's audiences.

Nicole Woods celebrates the life and work of Alison Knowles, a trailblazer in the Fluxus movement. Knowles' innovative use of everyday objects in art redefined traditional boundaries.