Manuela Moscoso delves into the ecological aspects influencing biennials, urging a move away from overly simplistic critiques. Her insights call for the adoption of sustainable cultural practices within these significant art events.
With a focus on the Bienal das Amazônias, Moscoso highlights the interconnectedness of art, ecology, and global networks. She emphasizes the importance of viewing biennials not just as cultural showcases but as platforms for ecological dialogue and responsibility.
Moscoso’s analysis encourages a shift in how biennials are perceived and organized, advocating for approaches that prioritize environmental sustainability and global interdependence. Her perspective invites artists, curators, and audiences to consider the broader implications of their participation in these events.
