With the initial excitement around the Whitney Biennial fading, and the commotion largely settling, it’s time to assess the exhibition with clarity and a historical perspective. How will this biennial stand the test of time? Will it leave a lasting impression?
This year’s biennial presents a subdued, introspective tone, described as fearful by Hyperallergic’s editor-in-chief, Hakim Bishara. He comments, “With few exceptions, it seems the Whitney Biennial is retreating from the contemporary world rather than engaging with it.” His full review is available below.
In other news: John Yau pays tribute to Thaddeus Mosley, Israel seeks to prohibit NYC First Lady Rama Duwaji, artists confront allegations of sexual misconduct against labor figure Cesar Chávez, and our art tarotscope for the spring equinox is out.
—Lisa Yin Zhang, associate editor
