Generation Z has repurposed the term “aura,” originally coined by Walter Benjamin to describe the mysterious presence of an artwork, to denote an elusive quality some individuals seem to possess. This is particularly relevant as we delve into whether art pieces can embody personhood. Lisa Siraganian examines topics ranging from the 2010 Citizens United Supreme Court ruling, which recognized corporations as people, to Pierre Huyghe’s eerily lifelike human sculptures.
In the realm of artworks with human characteristics, Ed Simon explores the legacy of Renaissance artist Hans Holbein the Younger, renowned for his unparalleled representations of humanity. Simon’s review of Elizabeth Goldring’s recent publication serves as a comprehensive introduction to Holbein for newcomers and offers fresh insights for seasoned scholars.
Additionally, Michael Glover captivates with his portrayal of Whistlejacket, a “magnificent, rampant beast,” alongside other striking equine portraits by English Romantic artist George Stubbs, currently displayed at the National Gallery in London.
In other news, the National Gallery of Art in Washington, DC, has received its largest ever donation for an endowed program. Readers can also get a glimpse inside the new Victoria & Albert Museum in East London among other fascinating stories below. Enjoy!
—Lisa Yin Zhang, associate editor
