Market - Page 15

The Antideutsch movement's transformation from anti-nationalism to Islamophobia and genocide denial is scrutinized in OnCurating's latest edition. The journal's editors explore historical and contemporary narratives, but fail to address contradictions within democratic societies accommodating right-wing movements.

Iran's architectural treasures are under threat, raising concerns of cultural erasure. Meanwhile, Qatar attracts art fairs, yet queer residents face repression. The article also explores various art world topics, from artist profiles to critiques.

In 2025, the global art market rebounded with a 4% growth, as highlighted in the Art Basel and UBS Art Market Report 2026. Public auctions and fairs were pivotal in this recovery, setting a positive outlook for 2026.

Over 200 artists, including Brian Eno, urge the British Museum to halt actions perceived as erasing Palestine following changes in gallery texts under pro-Israel pressure. The museum is criticized for its ties with the Israeli embassy and BP, amidst calls to address

A newly discovered 'Blue Room' in Pompeii reveals the lavish use of costly Egyptian blue pigment. A recent study estimates its significant expense for wealthy Romans, highlighting both the pigment's value and the labor involved in ancient wall painting.

Perrotin Gallery welcomes sculptor Alma Allen, while Keisha Scarville wins Brooklyn Museum's UOVO Prize. Noteworthy appointments and Marina Abramović's new project at the Balloon Museum are also highlighted in the latest art world updates.

Artists face challenges in securing gallery representation, often needing a proven sales track record and active promotion. Understanding personal goals and cultivating relationships are key in finding the right gallery partner.

Awards season now resembles a continuous spectacle, with the art world creating its own recognitions that confer authority in real time. While some awards provide long-term support, others emphasize visibility over material benefits, reflecting a broader trend where attention becomes the currency.

A Los Angeles home's mid-century modern style captivated two friends, but its price tag was daunting. This design, intended for the mid-20th century middle class, now symbolizes luxury. While companies make style accessible, affordability remains a challenge.

Damien Davis questions whether art awards genuinely support artists or simply reinforce power structures. Meanwhile, University of North Texas faces criticism, and tributes pour in for Pedro Friedeberg.