Market - Page 15

Art galleries are publicly supporting protests against ICE, but questions arise about the sincerity and impact of their actions. True solidarity requires more than symbolic gestures; it demands tangible changes that prioritize those affected by immigration enforcement.

This edition delves into Joan Miró's fascination with America and its current state, featuring tributes to Alex Pretti and warnings of fascism. The issue also includes engaging reviews and job openings at our publication.

Robert Wiesenberger joins the Brooklyn Museum as senior curator of contemporary art. The Newark Museum of Art welcomes Lisa Funderburke as its new director. In other news, Tarek Atoui wins the Turbine Hall commission, and a student faces charges for consuming AI

In Memoriam honors influential figures in the art world, including architect John H. Beyer, gallerist Marian Goodman, and Korean modern artist Chung Sang-hwa, as well as other notable creatives.

The Smithsonian's NMAA is set to return three bronze sculptures of Hindu deities to India. These artifacts, taken from Tamil temples and smuggled out in the mid-20th century, include a significant piece, 'Shiva Nataraja,' which will remain on long-term loan at the

The Trump administration's proposal to expand requirements for foreign visitors could disrupt the US art market. With implications for civil liberties and international collaboration, the art scene risks losing its global edge as potential barriers may redirect cultural traffic elsewhere.

The overlap between Trump supporters and art collectors raises concerns, as proposed US travel restrictions may affect the art market. International art involvement could dwindle under heightened surveillance measures.

Nifty Gateway, the NFT marketplace co-founded by Duncan and Griffin Cock Foster, will shut down on February 23. After facing various challenges, including market volatility and operational issues, the platform's closure marks another chapter in the turbulent NFT industry.

The Francis Irv gallery in New York, celebrated for its avant-garde exhibitions and support of emerging artists, is closing after three impactful years. Its daring approach will be missed by the art community.

Nan Goldin accuses the Art Gallery of Ontario of censorship after it refused to acquire her work, citing claims of antisemitism over her stance on Gaza. Goldin decries the suppression of free speech, especially in matters related to Palestine.