Market - Page 14

The Helen Frankenthaler Foundation has opened the sixth cycle for its Frankenthaler Climate Initiative grants, continuing support for sustainable practices in the visual arts. Applications are open for various grant types, with details available online.

In Minneapolis, artists are harnessing their creativity to protest ICE operations. Art Price and volunteers are producing free anti-ICE apparel, while other artists create protest posters and protective gear. The community unites to express their dissent and support one another.

The Washington Post has laid off Pulitzer Prize-winning art critic Sebastian Smee amid significant cuts affecting the Arts section and other areas. The move, described as a 'bloodbath,' has raised concerns about the publication's future visual strategy.

In the midst of winter's chill, a dialogue with Morgan Library curator John Marciari sheds light on Caravaggio's enduring influence. Meanwhile, A. G. Sims and Isa Farfan explore the intersections of art, protest, and solidarity in New York City.

The Wynne Prize awarded to Sam Leach sparked controversy over the origins of his landscape painting. Germaine Greer defends the artist, highlighting the conceptual nature of landscape art.

Discover a variety of art opportunities in February 2026, from residencies and fellowships to open calls and grants. Hyperallergic's monthly listings provide essential resources for artists seeking to advance their careers.

Newly released DOJ emails reveal that artist Jeff Koons attended a dinner hosted by Jeffrey Epstein in 2013, years after Epstein's conviction. Koons confirmed his attendance but denied any further relationship with Epstein.

This article examines the complexities of solidarity in the art world, focusing on the tensions between Tribeca galleries and street vendors, and Damien Davis's critique of performative allyship. It challenges readers to question the depth of their commitment to accountability and change.

Protesters in 18th-century attire rallied against the 'Melania' film at the Kennedy Center, criticizing its funding and opulence. Activists highlighted the misuse of resources and drew comparisons to Marie Antoinette's excesses.

Tribeca galleries recently met to discuss increasing street vendor presence, sparking criticism. Amidst citywide support for immigrants, galleries consider municipal intervention for safety concerns, while community advocates urge more direct engagement.